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The chaos theory of Mongolia

I returned to Mongolia 15 years ago after an absence of 13 years, save for the occasional 2-week leave from work, and that time I spent a semester and a half at a local university drinking endless cups of brown, watery 150 Tugrik instant MaCcoffee at the cafĂ© strangely, or perhaps egotistically, named "In my memory", writing the first and so far the only book that got us into trouble with the local intelligence who apparently had little else to do than to pore through the ramblings of teenagers to catch the tell-tale signs of drug dealery. But I digress. When you visit a country for a short period, be it home or not, you hardly have time to immerse yourself in the spirit of the country and the city and feel the nitty gritty and dirty shiny of it all. So after 13 years, it took me a while to readjust and finally understand what the hometown of my childhood had become.  The most striking, ubiquitous, and inescapable feature was and still, unfortunately, is the traffic. In 2008,

Mongolian rock music video

NISVANIS - probably the very first grunge / punk rock band after the fall of communism.
came out as a Nirvana clone. but had their originality, definitely.
the name of the song is "Ulaan Heruulch". Not sure how to translate it. "Ulaan" means Red, e.g. Ulaanbaatar. Heruulch is basically an argumentative / unreasonable person, sort of a cantakerous fuck, if you will. But in mongolian, "Ulaan" colloquially could mean sort of "bloody" the way the English use it. Or it could just mean "extreme" , i suppose. So the loose translation of the name would be "extremely cantakerous fuck". though that doesn't sound much like any song title. The chorus is in English, and about as creative as any nu metal band lyrics. Which is saying very little.


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